F r a n c i s     J o n c k h e e r e

                                            Inanimate toward animate architecture
                                                           .   The Enormous Book: TRAITS     update: 31 IIX 2021   LATEST
                                                           .   The Enormous Book     update: 25 V 2016
                                                           .   Mechanics Of Form     update: 25 VII 2018
                                                           .   Posters     update: 27 VII 2018  
                                                           .   Animations     update: 22 III 2016
                                                           .   Pumping Thing - the basics     update: 11 II 2016

                                             .   Hanging mobile     update: 31 XII 2014
                      .   Anne Tyng's take on sheet-formed wireframes
    update: 26 I 2014
                      .   Assembled Street 1.0   (examples)     update: 12 XI 2015
                      .   Video wall     update: 07 VI 2015
                      .   Big drawing     update: 26 VII 2015

                    Text (in Dutch):                                                                 Archive:
                    .  Greenbrae, CA     update: 21 II 2014                                   .   Older posts     update: 07 XI 2017
                    .  im agt     update: 13 X 2015

                                        (about - resources - reading list - lectures)


                    Andreas Weininger, who used to play trumpet in the Bauhaus band, showed up at the Guggenheim to talk. He was 85 years old and it was a Saturday night.
                    He came out and said: "Hi, I'm from the nineteenth century".
                    And we go: "Whoah".
                    And he said: "You know, we had Saturdays in the nineteenth century too, and what we did was...". And he proceeded to describe these insane long-ago evenings.
                    It really seemed so alive and exciting. So wonderful. It was a kind of real continuity, and you really felt that, yes, there have been artists, and there is a long line,
                    and we can learn from each other, and we can go forward, and try to be as generous as possible to each other.

                        -   Lauri Anderson about continuity

                    I felt the years go by without accomplishment. Occasionally I wrote a short story that no one bought. I called myself a writer though I had no true subject matter.
                    Yet from time to time I sat at a table and wrote, although it took years for my work to impress me.
                        -   Bernard Malamud in long work, short life

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